Tea-Bagged by Mark Blickey


That idiotic doctor smiling down at me as if I am a Christmas leg of lamb ready to carve into my chest searching for a purse of gold and municipal bonds safely guarded by Margaret’s father cruel old bastard God Forgive me bribing me to marry his obnoxious daughter crying in the corridor afraid I might live and interrupt her carnality and bastardly children dear Lord I am sorry do not treat me harshly why did you plant this Covid-19 have I not suffered through years of archaic gospel and fanatic potbellied evangelists kill Margaret’s father or my bacchanal son not me or that incompetent surgeon ready to claim my wife’s loins along with her insurance oh Jesus remember I am sick I will die today spouting blood making nurses convulse with disgust splattering my fluids onto sterile white aprons disregarded in garbage cans as my flesh is shoved into an incinerator

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Detritus by Allen Serafini


virile, alone,
knotted hands grasping
at the sinewed cord
of reality,
rope turns
into a tentacle as you haul
the bucket up from the cistern,
a severed head bobbing
in the rancid water,
one eye plucked
by the hooked beak of a seabird.

drunken bell tolls
a hundred headaches,
clanging in the blood
sluggishly circulating,
muscles stiff, water
up to the ankles. tasks
pile up in heaps
like the salt-crusted debris
in the kitchen, stains
seeping down between
the unrepaired shingles.

light screams
through the night,
black as ink,
a blinding blade slicing
the rain apart and singing
deep within the ear, dull
as it is from the klaxon.
vise blares around your skull—

the shriek from the beach that echoes
throughout your dampest caverns,
consuming, confusing the senses—
seaweed, slime, the black rocks
slick with it, groping for a handhold.
the mind softens when trapped, isolated—
moreso in conjunction with astute manipulation.
soon there is no difference between the self,
the other, the nightmare, the fantasy.

wind gnashes its teeth
against the windowpane.
it still carries traces
of the inhuman scream that burst forth
from your mouth when
the radiance touched you,
melding with the voices
of the other departed,
their flesh having long been swallowed by the dirt.
they chorus when the wind changes,
the sudden absence of gulls
signaling the approaching storm.

Spore is an accurate simulation of the evolutionary process

earth shatters around me and I go on watching
my fragmented memories spin before my eyes like
an extra-large laundromat dryer. I call this one
the trauma cycle. it’s where the machine eats
your credit card and the centrifuge never stops spinning.
with each psychic impact I crawl further, more desperately,
away from my body, dissociation a phallic instrument
that cleaves my amygdala. fear now looks
as strange as I do; it is transformed into a cardboard cutout
of a feeling, just as my heart is now an urn filled with ash.
why ask to be lifted from this abyss—what is there
left to save. I become the martyr I have always imitated,
crucified at last. free. then the pin drops and I am
beaten back into myself, peering out from behind
the veil of madness with needles on my tongue. all this
and more just to climb out of the water

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Post-Logic (The Neopraxis) by Natalie Terezi Rei Watts

Bodies creep up the walls like radio signals. Limbs are coaxial transmitter-tendons that plug into the apartment ports and upload their regurgitating thoughts as packets of dying breath. The skyline is the harvester network where broadcast pylons intersect solid wavelength steel into the heads of people who haven’t removed their cerebrums entirely for printed flex-circuit social media analytic cyclers. Everything is branded by Gucci.

Because moonlight became corrupted by the Calvin Klein Lunar Reactor meltdown the night sky has been deplicated to expose the subcutaneous LEDs under its flesh (Chanel built them inside the sky’s body centuries ago, in the off chance our universe chose to hate us). Instead of projecting images these LEDs project new thoughts that mimic what it is like to stand in a forest and suffocate in the Milky Way radiance. Every thought can then be recycled to form new words (as lexemes are a non-renewable resource speech needs to be processed through IEEE-Supreme defanger servos that remove the teeth and let the gums bleed until you can’t eat without a drip feed of congealed morphophonemic stimulants; controlled language in place of the unpredictable). The energy for the LEDs is leeched directly from the sky’s nerves.

(None of these words have any meaning for you because you digested the meaning. You crawled into the recycling plant pipes to suckle on the flow yourself. You had no other choice but to starve. I don’t blame you.)

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Real Housewives by David Kuhnlein







Kelly’s smile is lashed to her lips. She’s backed herself into every possible corner. Appearing like a shredded element on camera, leaked on lens, gravity has manhandled her. Nevertheless, she eroticizes the distance between her and things, existing better at one end of a phone. Distal as a talking cashew, she remembers Vicky’s challenge: “All this tomboy talk seems fishy.” Everyone else’s kids are gay. There are wilder ways to be robbed of an obsession than marrying your beard. Kelly wants to do an exercise montage on Vicky’s piggy face. Picking up her child-shaped court date, eyeing the teacher through a cracked window, Kelly instills the pins and needles gathered in her somewhere beyond temperature. She’s scratching out the ruins of another season with nail polish. “If I were you, I wouldn’t go within a mile of my lips.”

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